Logic pro x 10.3 tutorial how to#
Next up, he explains how to process the snare. Then he teaches you how to generate a sub-kick sound using the Test Oscillator and Noise Gate plug-ins. He demonstrates how to EQ and compress the kick track, and shows you his trick to fake a second kick drum mic positioned closer to the batter head. With the overheads taken care of, Eli moves on to the kick drum. Then he compresses the overheads using the classic VCA compressor model in Logic Pro X's Compressor plug-in. Then he uses Logic Pro X's Channel EQ plug-in on each overhead track to blend all the elements of the drum kit together.
Logic pro x 10.3 tutorial professional#
In this tutorial video series, Eli Krantzberg demonstrates how to use Logic Pro X to mix drum tracks and get a polished professional sound.Īfter a short video describing the series, Eli demonstrates how to time align an exterior room mic with the rest of your drum kit. Logic Pro X is a powerful tool for mixing. The sooner you learn the key commands the faster you'll be focusing more on the music and less on the software. I set the metronome on and off to the = key since I know I'll remember that. I have templates for different genres, types of sessions, overdubbing only, vocal tracking.whatever.Ĥ) tweak your key commands to something you'll remember. Also start saving Templates of complete sessions and if you find you're constantly adding the same tracks and buses to a session, stop and create a template that can give you a starting place. It's a great way to build up a new session quickly. Also learn how to import tracks and setups from other sessions. I have folders of presets for different guitars even. Your input quantizing can be different too so make sure you know which quantize settings your looking at in the inspector in the upper left corner.ģ) Channel strips can save a ton of time, so whenever you come up with a sound you like or a string of plugins, save that as a channel strip. Like on an organ track with smears, I just separate out the smears and leave them un-quantized. You can alway separate any section of a track into a region and change the quantizing of just that. That way I can always go back to the comp quickly and it keeps all previous versions in the same place.Ģ) Quantizing can change per region or track and can be changed at anytime. Once I was done with a comp I would export comp to a new track but now I just duplicate it in an alternate take and then flatten. You can keep multiple comps, takes, edit options all one one track in Alternative Takes. It was added a little while back and is often not initially seen in the Arrange tracks unless you select it in Track View Options. Now you just use the Comp function and select what parts you want to hear easily.ĭon't overlook the Alternate Takes feature. In the old days before the Comping feature, this was how you had to comp, with the higher track of the group getting the output. This can be used in a variety of ways, one example being that you can start recording on one arrange track and then jump down to another arrange track to finish the part. Most DAWs have a one to one relationship with each arrange track getting it's own channel strip. It's been awhile but I remember being confused until I figured these things out.ġ) There can be multiple tracks in the Arrange that point to one Audio Channel in the Mixer.
There are a few things that Logic does quite differently than other DAWs.